1. Finnish, German and Spanish art (Late 19th – early 20th centuries)

Finnish, German and Spanish art (Late 19th – early 20th centuries)

Much of the work of the eminent realist painter Albert Edelfelt (1854-1905) is based upon themes associated with the life of the Finnish people and his native countryside (The Laundresses, Pines in Borga, Fishermen at Sea).

Edelfelt also enjoyed considerable success in the field of portrait painting, an example of which is his Portrait of M. Geirot.

The German school is represented by works of Franz Stuck (1863- 1929) – Fight for a Woman (1905) and Hans Toma (1839-1924) – Adam and Eve (1897).

In this room is also displayed The Dwarf Gregorio by the Spanish artist Ignacio Zuloaga (1870-1946).

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German art (15th-18th centuries)

A large part of the exhibition is devoted to the German Renaissance. In the first room there is an interesting collection of painted wooden sculptures, for example, Virgin and Child and St George the Victorious by unknown masters of the late fifteenth century and Virgin and Child by Tilman Riemenschneider.

French art (19th-20th centuries)

French art (19th-20th centuries)

A new chapter in French history was opened in 1789 when, under the onslaught of the Revolution, the feudal Bourbon monarchy collapsed. The artistic movement which expressed the revolutionary aspirations of the progressive factions of French society was Neoclassicism.

Belgium and Dutch art (19th-20th centuries)

Nineteenth century Belgian art is represented by the genre paintings of Joseph Stevenson (1819-1892) and Hendrick Leys (1815- 1869). They are evidence of the strengthening of realist tendencies in nineteenth century Belgian art.

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3 May 2007